Ever since seeing these ‘Maunsell forts’, while on a fishing trip, I’ve been fascinated by them. They’ve put in an appearance in Cowl and now, sort of, in The Departure. They came up in a chat on Twitter about that book (about the stinking reviews on amazon). In the book they aren’t there but in their place is Maunsell Airport … in fact Boris Island Airport. Thanks to David Hutchinson for the link to this video clip.
Tag: Writing
Writing update
Macmillan emailed me the copy-edited version of Zero Point, along with a list of questions from the copy editor and also a request that I supply acknowledgements and a dedication. They want all these sorted and returned by the 31st which shouldn’t be a problem, though I will wait on the hard copy so I can sit down with paper and pen to work through it. It’s noticeable how, in the email version, they’re now using a marked-up PDF document and I reckon on that becoming the way things will be done in the future i.e. a saving will be made on printing and postage. I don’t suppose it will take me very long to get used to that.
As for the acknowledgements and dedication, they ask earlier on if I would like a couple of pages saved for them. I tend to say yes, even when I’m not sure who I might acknowledge or who or what I might dedicate the book to (and also be in danger of repeating myself) because I suspect they are a case of ‘use them or lose them’. I also feel that just going nah, I won’t bother, is a bit lazy.
So, Penny Royal is on 32,741 words and I’ll soon be abandoning it for a while to turn my attention to this editing. When I return to Penny Royal I’ll have to deal with a growing feeling of ‘time to introduce another character or twist’ – time in fact to do what Raymond Chandler did when he felt things needed ramping up. His approach was to walk in a man with a gun. My approach has structural similarities to that but might be ‘time to bring in a massive brass android with a penchant for ripping off people’s heads’ or ‘time to bring in the ancient and thoroughly unpleasant Golgoloth’.
It’s something I’ll have to ponder.
Neal Asher Video Clip 15/1/2012
Follow Friday, Apparently
So, I just passed 30,000 words on Penny Royal (having been slowed up over the last two days by feeling crap). The backstory I previously mentioned is now at about 29,000 words and looks likely to turn into a book by itself. What more can I say? Nothing. I don’t want come-backs of the, ‘But you said so-and-so was going to happen’ kind. Everything is up in the air at the moment and I’m just writing where the fancy takes me.
People have been recommending me for a ‘Shorty Award’ on Twitter. After contemplating getting my stilettos out of the wardrobe I realized that this is for ‘producers of the best short content on social media’. Since this is Twitter I’m wondering about the redundancy of the word ‘short’. I went over to the site concerned where there was a questionnaire for me to fill in. I don’t suppose they wanted the kind of answer I gave to their question about a hash tag thingy I would like to see more of: #facesICouldNeverTireOfPunching. Today I’ve discovered that #FF means ‘Follow Friday’ wherein people recommend other people to follow. What a strange introverted place the Twitterverse can be.
Another social media site I’ve signed up on is Google+, but with a sigh, desultory attempts at posting and swift fuck-off flashes of irritation when I encountered problems. I think I’m suffering from social media fatigue #SMF … or something.
Video Clips
It’s been a while since I’ve done one of those video clips. I’m told by various people that they like them but, unfortunately, I’m not getting enough questions. Here are the questions in the comments of the previous clip:
ChrisW: You’ve probably answered this before somewhere, so feel free to ignore, but, what’s up with “The Departure”(the HB not the eBook) not being available/published in the USA? Is it going the way of “The Line of Polity”?
Still annoys me that when I look at my Asher shelve that there is no Line HB. Bloody publishers! 🙂
Spaceoperaghost: Will you ever expand on the story of The Quiet War?
Taylor Preston: When you write, do you revise/edit as you go or do you just hammer out the first draft before you put pen to paper and start making changes? I know you’ve said before you don’t normally outline, so I’m wondering how much revision you end up doing and how you go about it.
Huan: What size are Amistad and Sniper?
arj209: Have you reached the lofty heights of stardom of being recognised in the streets?
Friso: Your Wikipedia article mentions “runcible” is an homage to ansible. Is that how you intended it?
Thezzphai: In an interview you talked about your next Polity book possibly being called “Penny Royal”. Can you already tell something about the content (pretty please) and when it will be released approximately? Are you already working on it or is it just an idea for the time being?
The last one here has been answered and is being answered on the blog but I suppose I can go over it again a bit, and the first one here is just a ‘don’t know’ but I guess I could waffle on about the subject for a bit. But I could do with some more questions. Please append some in the comments below. Oh, and I’m saving this one from the last post for the next clip too:
Chrish: ‘I’m finding the writing ridiculously easy (which is worrying)’. I’m puzzled, why worrying?
Writing Update
I’m starting to get the feeling that Penny Royal is struggling to turn into something larger. I started out by jotting down backstory involving the prador/human war and some later events concerning my main character. Then I moved on and wrote a piece of the ‘present day’ story. Next returning to the backstory I began filling it in, also having some ideas concerning hooders that were just too juicy to resist. The ‘present day’ piece is just over 1,000 words long while the backstory is 25,000 words long. Ahem.
That backstory has also grown because of the necessity for conflict, and has grown in much the same way as the ‘B’ plotline for Gridlinked. Let me just revisit that for a moment:
I submitted a sample and synopsis of Gridlinked to Macmillan at the end of 1999 and received a request for the whole book shortly afterwards, which I sent by email. At the time Gridlinked was 65,000 words long and I knew it was too short for present day publication requirements. I suggested, by email, that I could expand it – maybe put in more about the doings of the villains in the story. Meanwhile that email crossed one on the way back with a reader’s report from Simon Kavanagh (now an author’s agent): it’s too short and maybe I should expand the B plotline i.e. the story of the villains. I did as requested, expanding Gridlinked to 135,000 words in, I think, about two or three weeks. Peter Lavery at Macmillan expected a load of padded crap, what he got instead was Mr Crane (who wasn’t in the original version).
In Penny Royal I’ve been concentrating on a villain – someone who encountered Penny Royal during its time in the Graveyard. I’m finding the writing ridiculously easy (which is worrying) and am starting to contemplate the idea of introducing other characters like her (Isobel Satomi), who have experienced similar encounters with Penny Royal. I can’t really say much more than this … well, I can add that prador and hooders have joined the cast, along with second-child ship minds, shell people, a heavyworlder thug, Jebel U-cap Krong and Sylac (who some may remember from Gridlinked and Prador Moon).
I’d like to get back to work now, but again I’ve got a sty in my eye and feel like crap. Concentrating on a screen ain’t helping.
Dreams and Nightmares
Damn but I wish I had dreams, and nightmares, more often. Last night I was chasing sheep off a vegetable patch I had in my parent’s garden whereupon I came upon a really tough cobweb made by a large green spider. When I cut the web it collapsed into a powerful spring. When I showed this spring to Steven Spielberg he didn’t believe me, so I threw part of it at him and told him to get it analysed. Next I was in a toilet in which the urinals and toilet bowl folded out from concealment, which was good, because they were filthy. There I found another web and another spider, though this spider was larger and covered in flowers. The spiders then made a perfectly natural transformation into worms I kept in a pencil packet and thereafter things got a bit chaotic…
Why do I wish for more dreams and even nightmares? Consider a nightmare I had many years ago. I was on an island covered in jungle, stepped onto a bridge over a stream and saw what looked like trout in the clear flow of water. Then one of the trout lifted its tubular thread-cutting mouth out of the water and I realized it was a leech. Retreating to the beach lying before a wall of jungle I saw long spidery blue hands reaching out and grapping someone (it might have been me – you know how jumbled nightmares are). Later this person was found, still alive, without his skin… I think you can work out where this one went.
Another nightmare involved being trapped in a cellar. The floor of the cellar was mud I was fighting not to sink into, and while struggling I realized the mud was actually alive. Next, out of the darkness came something moving like and ape. It turned out to be the still living body of a man, headless and chopped off at the waist. But he was okay because I knew he was there to help me. This nightmare I turned into a story called The Halfman’s Cellar which got me ‘honourable mention’ in the ‘Writers of the Future’ contest in 1991 and was published in a magazine called Scheherazade in 1994.
So what do I need to do, eat more cheese or something?
Super-Soldier Ants
Ants can grow from larvae into many different bodily types, including soldiers, workers, or queens, depending on how they are fed and raised within the colony. The team analyzed the genetic structure of the supersoldiers and found the mechanism for their growth, a juvenile hormone.
When the team applied the hormone to larvae from these species, they found it easy to create the super soldiers. The surprise came when they tried a similar technique with species that don’t normally produce such heavy soldiers. They found that they could still create supersoldiers in these species, by activating genotypes from a common ancestor of the pheidole genus.
Ah, meat and bread for the science fiction writer. Sort of makes me think about Pournelle and Niven’s The Mote in God’s Eye. It also makes me think about a battle version of the Brumallians in Hilldiggers.
Writing Update
And another 2,000+ words written today. How many times should I repeat this before you all get bored with it? Anyway, I’ve now reached the stage where I’ve got nine sections, or episodes of the story, chronologically ordered in a large lump of text 17,000 or so words long over 26 pages. I also have a contents list which details what I have, with one brief line describing each section. (I use this list to keep track of the story. I then copy it when I’ve finished and convert it first into a long synopsis, then that into a short synopsis, then that into cover blurbs)
Now it’s time to start deciding how I’m going to structure the book. Usually I divide up what I’ve written into about ten pages per chapter, but in this case I might be working slightly differently, in fact more like I did with Brass Man. A lot of what I am writing now is, essentially, backstory. I’m considering making these sections into ‘retroacts’ to start off each chapter, or to insert where relevant in the current story as reveals. This backstory also comes from two perspectives, so there will also be opportunities, in those reveals, to show stark contrasts.
So far as I plan, the story itself begins during the prador/human war (that backstory), then continues just after the events on Masada in The Technician. So far. Maybe I’ll end up just writing my way through to that point, I’m certainly enjoying myself at the moment. And maybe you’ll end up with more than one book.
Another Interview
Here’s a recent interview with me conducted by Douglas R Cobb. I’m probably repeating a lot of stuff considering how many of these I’ve done.
Different SF writers have different names for their interstellar civilization. Ian M Banks has the Culture, Star trek has the Federation and the Dominion, empires and kingdoms have been used too. The Polity was my own particular take on this. I wanted something big, sprawling and complicated in which I could set just about any SF story. Its inception was in numerous short stories where similar technology might be used, similar alien life, agents, characters and gradually grew almost like a crystal forming. Runcible gates where a hat-tip to the ansible, but grew into a science whose nomenclature evolved from the poem The Owl and the Pussycat by Edward Lear (a tachyon, for example, is called ‘pea-green’). I wanted my Polity linked up by spaceships and instantaneous matter transmission and the runcible gates are the latter, giving people the ability to step across light-years in an instant.